Blog Tour: Claire Ridgway

I am delighted to welcome Claire Ridgway to the blog as part of her tour for her new book, Tudor Places of Great Britain. Claire Ridgway is the author of the best-selling books George Boleyn: Tudor Poet, Courtier and Diplomat (co-written with Clare Cherry); On This Day in Tudor History; The Fall of Anne Boleyn: A Countdown; Sweating Sickness: In a Nutshell and both instalments in The Anne Boleyn Collection. Claire was also involved in the English translation and editing of Edmond Bapst's 19th century French biography of George Boleyn and Henry Howard, now available as Two Gentleman Poets at the Court of Henry VIII. 

Claire worked in education and freelance writing before creating The Anne Boleyn Files history website and becoming a full-time history researcher, blogger and author. The Anne Boleyn Files is known for its historical accuracy and Claire's mission to get to the truth behind Anne Boleyn's story. Her writing is easy-to-read and conversational, and readers often comment on how reading Claire's books is like having a coffee with her and chatting about history. Claire is also the founder of The Tudor Society.

Edits, writing, research and trips

Beautiful Portballintrae on the Northern Irish coast, where I've been doing a lot of my writing

I have just returned from a flying three-day visit to London to carry out research for my next book, Young and Damned and Fair, a biography of Queen Catherine Howard. It was a macabre but fascinating trip, which gave me the opportunity to look at some of the original documents concerning Catherine and her tragic fate. 

I wanted to apologise for posting so infrequently over the last few months; they have been manic. My play, The Gate of the Year, a modernised imagining of the French Revolution, was revived in Belfast in December, and since then, my schedule has been consumed. I adore being busy, so I'm enjoying myself. I've also released my book with Made Global, A History of the English Monarchy from Boadicea to Elizabeth I, which is available now, and we're currently organising a blog tour for it. I've been giving talks in London and Belfast - one about The Gate of the Year and the interactions between history and fiction, and another about the Harden-Eulenburg Affair and the crisis of personal monarchy in Wilhelm II's Germany. I'm also thrilled and delighted to say that my first novel Popular is being adapted for a 10-part radio series in Northern Ireland, and there is some very, very exciting further news in the pipeline about another potential theatre tour - and a documentary about the novels! Which I'll be able to give more details about, very soon.

From this summer, I've also taken over as editor of the e-magazine Tudor Life, which is a subscription magazine featuring articles from experts, enthusiasts, art critics and reviewers, all of whom are writing about the Tudor, early modern and medieval world. I've been writing a column for the magazine since its first edition and it is so exciting to be involved in this next stage!

Over the next few months, our issues' themes will include vulnerability in Tudor Britain - for which I've contributed an article entitled "The Love That Dare not speak its name?: Homosexuality and moral complexity in Tudor England". (There's a short extract at the end of this post!) As well as issues on coronations, the Tudors in movies and fiction, attitudes to death and the afterlife, and the impact of the Protestant Reformation. Along with the magazine's wonderful regular contributors, we'll be hosting articles from people like Leanda de Lisle, Amy Licence, Toni Mount, Dominic Pearce, Conor Byrne, and Kathryn Warner.

At the end of the month, I'll be undertaking another research trip in England, so I've decided that I'll post a few videos and short articles to this blog while I'm there. My next few proper-length articles for this blog will be a few pieces I have musing on the nature of being British in the 21st century and answering the questions of if the national identity is in crisis and, if so, why.

I also have an Instagram and Facebook page, which I post on regularly. It has been such a pain not being able to post as often as I used to on this blog, although it's certainly for the best reasons. I don't want to post anything too distracting or half-hearted, so thank you for bearing with me and for all your encouragement with pursuing this biography. I hope it lives up to your faith in it, and your wonderful wishes!

Gareth 

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An excerpt from The Love that Dare not speak its name?: Homosexuality and moral complexity in Tudor England by Gareth Russell - published in the July 2015 edition of Tudor Life magazine

Within the aristocracy, attitudes were also much more heterogeneous than we might suppose. In the early 1600s, the Countess of Suffolk could discuss the King’s affair with the Duke of Buckingham with discretion and minimal embarrassment. A typical Renaissance education was heavy on the study of the Classics. This meant that young royals and nobles grew up being familiar with a few Classical myths that dealt with same-sex relationships, like the story of Jupiter and Ganymede, or Achilles and Patroclus in the Trojan saga – or even unambiguously homosexual historical figures, like the Roman Emperor Hadrian. Traditional moralists in Italy and France certainly blamed over-exposure to pagan histories in the classroom and universities for the alleged rise in ‘sodomy’ among young upper-class men in the late 1400s and early 1500s.

"Manages to bring history alive in an entertaining way. The entertainment, however, is never at the cost of history."

There have been two reviews of An Illustrated Introduction to the Tudors - from Stephanie A. Mann, author of Supremacy and Survival: How English Catholics Endured the Reformation, and from Claire Ridgway, author of The Fall of Anne Boleyn: A Countdown and creator of The Anne Boleyn Files website.

Thank you to both for taking the time to read and review the book, which is available now.

Review: "George Boleyn: Tudor Poet, Courtier and Diplomat"

Diana Mitford once reflected that when reviewing a friend's book, the reviewer is inevitably predisposed towards a favourable conclusion and that only the disingenuous would pretend otherwise. In a similar spirit, I should begin this article by pointing out that I am a friend and, via my novels Popular and The Immaculate Deception, a colleague of one of the authors of George Boleyn: Tudor Poet, Courtier and Diplomat - Claire Ridgway. Both our books are published by the same press and I helped lead two of her beautiful Tudor tours in 2012. So I approached this, the first full-length modern biography of the third Boleyn sibling, with a sympathetic eye and hopefulness that it would prove an enlightening read. 

Passion and scholarly probing saturate this book; the authors' excitement and fascination with their subject is underpinned by years of research into the compelling story of his life and the awful trajectory of his demise. Having made a career by inviting people to experience her ongoing research and education into the Tudor court with her, Claire Ridgway uses the same tactic in this book. There's a touch of Antal Szerb here, the great Hungarian-Jewish historian, who began his 1942 study on the court of Marie-Antoinette by informing the reader that "if he absolutely insists that a writer should address him in the scholarly manner, from on high, in ex cathedra tones, then he should simply toss this book on the floor. My way is to speak as one human being to another, looking to fine kindred spirits and good company." Ridgway and Cherry adopt this tactic in George Boleyn and it's very successful. If a reader finds a conversational tone grating or jarring, then this book mightn't be for them, but for many it's likely to prove, as the English say, a tonic - a refreshing and enjoyable change.

The lack of any surviving portraits of Boleyn or much in the way of letters and, crucially given the book's subtitle, his poetry, makes it difficult to flesh him out in too much detail, but both writers work with what has remained to paint a relatively convincing portrait of a headstrong but pious courtier with a passion for living and a solid mind. If George doesn't quite pop out as being as much fun as some might imagine him, it's a relief to see why he was nothing like the horror imagined in later fictional adaptations like Bring Up the Bodies or The Other Boleyn Girl. By shifting through all the available information and crucially being able to admit where Boleyn was guilty of hard-heartedness and even outright cruelty, Clare Cherry and Claire Ridgway are able to present a biography that is sympathetic without being hagiographic. Rather like the latter's website which has, wholly unjustly and in a spirit of sweeping reduction, been described as a Boleyn "fan site." Empathy is not a whitewash and sympathy or identification is not always a bad thing - as shown by beautiful biographies like Antonia Fraser's on Marie-Antoinette, Lauren Mackey's on Eustace Chapuys, William Shawcross's on Elizabeth Bowes-Lyon or David Starkey's on Elizabeth I.

There are a few flies in the ointment - I would have liked to see a bit more of how George has been reimagined in culture after his death. We have seen a pious George, George the buffoon, gay George, bisexual George, kind George, saintly George, George the rapist and an incestuous George. His afterlife is fascinating and it would have been nice to see a little bit more of that, but that's a personal preference and in a biography that seeks to liberate George Boleyn from the shackles of cultural history, perhaps a facetious and contradictory one.

All things considered, George Boleyn: Tudor Poet, Courtier & Diplomat is a gem of a book. Thoughtful, erudite, charming, passionate and clever, it helps set George Boleyn centre-stage and to paint a fascinating portrait of an aristocratic career that ultimately sailed too close to the Sun and paid a tragically unfair price for it.