"Evita" back on Broadway

Glorious.

Evita will be revived on Broadway this Spring, with Argentine actress Elena Roger (above) reprising the role of Argentina's glamorous First Lady which she won critical acclaim for in 2006. Pop star Ricky Martin is playing the show's narrator Che and I'm really glad I'll be in New York in the spring time to see it.

Below is a trailer of the London production with Elena in the leading role.

Eva Perón: The Public Death of a Legend

The first sign that all was not well with Argentina's controversial First Lady came when she did not attend the Flag Day ceremonies in Buenos Aires on June 19th, 1952. When she failed to appear at any of the festivities for Argentina's Independence Day three weeks later, her millions of devoted followers began to get agitated. Initially, the government's doctors tried to downplay rumours that Evita was seriously ill and instead claimed that she was simply recovering from exhaustion. However, news that Evita had left Buenos Aires and was instead lying in a sickbed in the Quinta de Olivos, the presidential countryside palace, soon leaked to the press and by the end of the second week of July, Argentina was tottering on the edge of a communal nervous breakdown at the idea that the President's thirty three year-old wife might be about to die.

In Congress, fifty-nine politicians made impassioned speeches praising Evita's patriotism, her devotion to the cause of Peronism and her tireless care for the Argentine poor. Mafalda Piovano, a female politician recently elected to Congress thanks to Evita's campaign against male-only suffrage, collapsed during her speech and screamed out, "Oh God, we beseech you to return to Eva Perón the health she sacrificed to save us!" Then, Congresswoman Piovano fainted and by the time she had regained consciousness, the President of the Chamber, Hector Campora, was proposing that Congress bestow upon Evita the new title of "Spiritual Leader of the Nation." The motion passed.

Out in the streets, the reactions of Evita's followers - her beloved "descamisados" - was even more frenzied. It would be wrong to characterise their devotion to her as simply the displaced religious loyalty of simple peasants, dazzled and manipulated by Evita's beauty and glamour. Undoubtedly, there was an element of that; the story of Eva Perón is one of history's great rags-to-riches stories and to the Argentne working-classes there was something almost magical about the farmer's daughter from Junín who had become model, then movie star, then first lady. Always dressed in the height of fashion, for half a decade Evita was glamour personified for many of Argentina's disadvantaged. However, she was not just loved for her beauty and the Dior-stocked wardrobe she flaunted at every public appearance. She was also applauded for her role in supporting a woman's right to vote and, most importantly of all, for her work with the Eva Perón Foundation. Having commandeered the entire Argentinean social welfare programme during her husband's first term in office, Evita had transformed it into a charitable foundation with her name on it and then authorised one of the most extensive expansions of social welfare in modern history, despite a global recession. Capitalising on her own celebrity, Eva encouraged Peronists to donate generously to the foundation and even insisted that all employed workers give one day's wage to the foundation per calendar year. The money kept rolling in and with access to both the treasury and donations from her supporters, Evita had been able to turn the foundation into one of the biggest charitable enterprises in human history. Allegations that she was siphoning off funds to a secret Swiss bank account are almost certainly untrue and if money was deducted for expenses, it must have been tiny in comparison to what was being handed out. A more valid criticism was that the foundation was contributing to the national deficit and that Evita had become so completely convinced of her identity as saviour of the nation's poor that she was basically, and sometimes literally, throwing money at anyone who asked for it, in a wasteful, recession-bolstering display of government over-spending. For Evita, of course, none of this mattered. She wasn't an accountant, nor did she have any interest in anything that even smacked of criticism. She was adored, she was loved and everywhere she went, she was mobbed by hysterical crowds. Of all the many people who believed in the legend of Eva Perón, it's difficult to imagine a more zealous believer than Evita herself. 

The work and the criticisms of the Foundation and Peronism's social welfare programme are dramatised below in the song And the Money Kept Rolling In from the 1996 movie adaptation of the movie Evita, starring Antonio Banderas as the narrator and Madonna as Eva Perón. Aside from Madonna's physical resemblance to the real Evita, I think this song brilliantly captures the tidal wave of enthusiasm surrounding Eva's charity and social welfare programmes. People before profit or gross fiscal irresponsibility?

It had been the eighteen or nineteen-hour days she had been putting in overseeing the foundation and making public appearances, coupled with the exhausting work of helping her husband campaign for a second term in office, which had made Evita ignore the aches and pains she had been experiencing for the best part of two years. By the time her aides finally convinced her to take some time off for a check-up, it was too late to do anything to treat the cancer which would kill her. She made her last public appearance on June 4th, 1952 to stand by her husband's side as he was sworn in as President of Argentina for another six years. Juan Perón had won by a landslide, with sixty-six percent of the popular vote. But it was much more Eva's triumph than Juan's. Perón's numbers had come from the fact that for the first time in Argentina's history, women were allowed to vote, thanks in part to the First Lady's constant lobbying. Many of these first time voters had been voting for the First Lady, not the President. And throughout the presidential swearing-in, the entire chamber could hear the sound of one hundred thousand spectators outside chanting "Viva Evita!" The re-elected president's name was hardly mentioned at all.